know about Bankim Chandra Chatterjee (1838-1894)

 

Bankim Chandra Chatterjee (1838-1894) The Poison Tree Indian Realism Benkim Chandra Chatterjee was an Indian writer born in Bengal. His education was mostly British, and he was one of the first to graduate from the University of Calcutta. His writing is the basis of his work using European style prose in the Benagli language, something that had never been done before. He incorporates national themes into his writing. He wrote Anandamath, a novel widely regarded as one of the most important literary works in India, featuring "Bande Mataram" ("Praise You, Mother"). "Bande Mataram" was so inspiring that it was adopted by a national organization. In his efforts, he incorporated Hindu heroes and patriotism that fostered national pride in some of his countrymen, but also distinguished some Muslim Indians. She has written some of her articles in her monthly magazine, Bangodarshan. His novel The Poison Tree (Bishabriksha) first appeared in that publication in 1873.

Early life and background 

Chattopadhyay was born in the village of Kanthalpara in the North 24 town of Parganas, Near Naihati, in the Bengali family of Brahmin, the youngest of three brothers, in Yadav Chandra Chattopadhyaya and Durgadebi. His father, a government official, became the Deputy Collector of Midnapur. One of his brothers, Sanjib Chandra Chattopadhyay was also a novelist and best known for his famous book "Palamau".

He attended Hooghly Mohsin College and later attended Presidency College, graduating with a degree in Arts [Law] in 1857. He was one of the first graduates of the University of Calcutta with Jadunath Bose. [6] He also obtained a law degree, in 1869.

Appointed as Deputy Collector, as Jessore's father, Chattopadhyay went on to become a Deputy Magistrate, retiring from government service in 1891. His years of service were fraught with setbacks that led him to clash with the ruling British Empire. However, he was made a partner, the Order of the Indian Empire in 1894.

Chattopadhyay's first letters were in the weekly newspaper of Ishwar Chandra Gupta ‘Sangbad Prabhakar. [7] Following the example of Ishwar Chandra Gupta, he began his writing career as a verse writer. His great talents showed him some clues, and they turned to myth. His first attempt was a level in Bengali that was sent with an announced award. He did not win an award, and novelette has never been published. His first published story was Life's Rajmohan. It was written in English and may have been translated with an award-winning novelette. [Citation needed]. Unable to obtain any praise for writing his novel in English, realizing the fact that he would not have a smooth writing career if he wrote in English, he turned his attention to Bengali texts. Durgeshnondini, his first love for Bengali and the first novel in Bengali, was published in 1865.

Kapalkundala (1866) is the first major book of Chattopadhyay. The heroine of the novel, named after a stupid woman in Madatimadhava kaBhavabhuti, is played partly behind Kalidasa's Shakuntala and partly following Shakespeare's Miriranda. The hero of this novel was Nabakumar. However, parallel parallelism is an unlimited analysis of critics, and Chattopadhyay's heroine could be completely her own. He had chosen Dariapur in the Contai Subdivision as the setting for this famous novel.

His next love, Morinalini (1869), marks his first attempt to put his story against the backdrop of great history. The book marks the departure of Chattopadhyay's first work, in which he was a love writer, in the future in which he aimed to promote the ingenuity of Bengali-speaking people and bring about a cultural revival of Bengali literature.

Chattopadhyay began publishing the monthly Bangadarshan magazine in April 1872, the first edition being completed almost entirely by his work. The magazine featured novels, stories, comic strips, historical and diverse essays, informative essays, religious discourses, criticism and literary reviews. Vishabriksha (Poisonous Tree, 1873) is the first novel of Chattopadhyay that appeared in succession at Bangodarshan.

Bangodarshan came out of the broadcast four years later. It was later revived by his brother, Sanjeeb Chandra Chattopadhyay.

Chattopadhyay's next great novel was Chandrasekhar (1877), containing two very unrelated sites. Although the situation has been reversed in the eighteenth century, this novel is not historical. Her next novel was Rajani (1877), which incorporates the structure of human history, with a blind girl in a position of position. Man-made structures were used in Wilkie Collins's "A Woman in White", and an example of a blind girl who played a major role was present in Edward Bulwer-Lytton's Nydia in "The Last Days of Pompeii", although Rajani's similarities do not end there.

At Krishnakanter Will (Will of Krishnakanta, 1878) Chattopadhyay produced a complex structure. It was a fine reflection of contemporary India and its way of life and corruption. In that complex, critics see similarities in Western novels.